Red & Black Simetric Triangulation

• 22” x 30” paper size
• 13” x 21” image size
• Folio White 250 Gram, 100% Cotton, Neutral pH. Water base ink.
• Handprinted silkscreen, 2016

This piece moves like a sound wave frozen in time. The composition stretches horizontally, a sequence of nodes and points traveling across the paper from edge to edge, sharp at the ends, complex and dense at the center where the forms overlap and multiply.

The red and black no longer share a single structure. Here they are two distinct systems running in parallel, each tracing the same rhythm but never quite in unison. The triangles fan and collapse, fan and collapse, creating a visual beat that the eye follows left to right, and then back again.

At the center, the layering becomes something close to chaotic, but never loses its underlying order. The rotational quality of the overlapping forms creates the illusion of depth, as if the paper has folded in on itself. The wide open white space above and below gives the composition room to resonate, like silence before and after a note.

Silkscreen printed by hand in water-based ink, the two color passes create unexpected transparencies wherever the red and black cross. The variation lives in those intersections, places where ink density and pressure shift the balance between the two colors, making each print its own frequency.

Perfect Imperfections — Limited Edition Series

Perfect Imperfections is a series of geometric digital art designed in vector-based Illustrator software and printed by hand in water-based ink using silkscreen.

It is in the printing that these pieces come alive. The way ink feels to the eye is wholly different from a monitor screen or high-resolution print, and richer still when colors overlap, building texture and unexpected transparencies. The precision of digital shapes becomes something else entirely on paper, and the outcome always carries an element of surprise.

Each piece looks and feels deeply symmetrical, yet every one holds its own variation, a wayward speck of ink, uneven pressure, a blurred line. These are not flaws to be corrected. They are what make each print uniquely human: a quiet secret shared between the work and whoever is looking at it.