Elastic Triangulation 1
• 22” x 30” paper size
• 19” x 21” image size
• Folio White 250 Gram, 100% Cotton, Neutral pH. Water base ink.
• Handprinted silkscreen, 2016
Color enters the conversation. Two systems, one in black, one in red, occupy the same space without fully belonging to each other. The black holds the vertical axis, sharp and structural, driving upward to a hard triangle point and mirroring downward with equal precision. The red moves laterally, fluid and expansive, pushing past the edges of the composition as if it cannot be contained.
Where they cross, something new is born. The overlap creates a third presence, a darker, denser center where neither color dominates and the eye struggles to separate what belongs to which. Depth appears where there is only paper.
The form is ceremonial, almost totemic. Triangles stack and echo along the vertical spine while the red waves pulse outward like a signal being broadcast in all directions. There is a tension between the rigidity of the black geometry and the restlessness of the red that keeps the piece in a constant state of unresolved dialogue.
Silkscreen printed by hand in water-based ink, the two colors are laid down in separate passes. The variation lives in that registration, the precise relationship between the two layers shifting ever so slightly from print to print, making each one its own.
Perfect Imperfections — Limited Edition Series
Perfect Imperfections is a series of geometric digital art designed in vector-based Illustrator software and printed by hand in water-based ink using silkscreen.
It is in the printing that these pieces come alive. The way ink feels to the eye is wholly different from a monitor screen or high-resolution print, and richer still when colors overlap, building texture and unexpected transparencies. The precision of digital shapes becomes something else entirely on paper, and the outcome always carries an element of surprise.
Each piece looks and feels deeply symmetrical, yet every one holds its own variation, a wayward speck of ink, uneven pressure, a blurred line. These are not flaws to be corrected. They are what make each print uniquely human: a quiet secret shared between the work and whoever is looking at it.