Black & Red Jellywire Merge
• 22” x 30” paper size
• 13” x 21” image size
• Folio White 250 Gram, 100% Cotton, Neutral pH. Water base ink.
• Handprinted silkscreen, 2016
The series saves its most alive piece for last. Gone are the triangles and the rigid geometry, here the lines have become fluid, orbital, almost biological. Two systems of curves spiral and loop around a shared center, the red and black weaving through each other like two currents in the same body of water.
The title earns itself. There is something wire-like in the precision of each line, yet the overall form is unmistakably soft, jellyfish, cell membrane, the cross-section of something breathing. The horizontal axis anchors the composition while the vertical loops break free of it, creating a push and pull between containment and release.
At the center, where the two colors fully merge, the piece reaches its highest intensity. The overlap produces a deep, almost maroon darkness, a third color born entirely from the collision of the two. From there the lines unspool outward in all directions, growing lighter and more spacious as they approach the edges of the paper.
Silkscreen printed by hand in water-based ink, this is the piece where the hand of the printer is felt most. The variation lives in the tension of those looping curves, a line slightly heavier here, a loop that opens just a fraction wider there, small departures that make the merge feel genuinely alive.
Perfect Imperfections — Limited Edition Series
Perfect Imperfections is a series of geometric digital art designed in vector-based Illustrator software and printed by hand in water-based ink using silkscreen.
It is in the printing that these pieces come alive. The way ink feels to the eye is wholly different from a monitor screen or high-resolution print, and richer still when colors overlap, building texture and unexpected transparencies. The precision of digital shapes becomes something else entirely on paper, and the outcome always carries an element of surprise.
Each piece looks and feels deeply symmetrical, yet every one holds its own variation, a wayward speck of ink, uneven pressure, a blurred line. These are not flaws to be corrected. They are what make each print uniquely human: a quiet secret shared between the work and whoever is looking at it.